Streaming Needs Actors and Actresses

Welcome to The Music in Me Blog! We’re excited to share our passion for the

performing arts with you and help you discover your own artistic talents. Our

mission is to explore a wide range of topics that will entertain and inspire

everyone, no matter their interests. If you enjoy our blog, we’d love for you to

spread the word! Share it with your friends and family—let’s build a community

together. At our studio, we’re dedicated to helping you uncover the “art” within

you. Whether you’re interested in singing, playing the piano or guitar, exploring

different dance styles, or acting on stage, TV, film, or online, we’ve got something

for you. Our doors are always open to new students, and we can’t wait to see

what you’ll create!

Have you ever stopped to look up the word “streaming”? Here’s the definition

from the Oxford Dictionary: “A method of transmitting or receiving data

(especially video and audio material) over a computer network as a steady,

continuous flow, allowing playback to start while the rest of the data is still being

received.” Now, think about this: are those abundance new independent shows

and movies really "streaming", or are they finished products being delivered to

us? Honestly, I think the term “streaming” has become a trendy buzzword more

than anything. The term baffles me. But you know what? It’s caught on in the

U.S. and beyond, and now it’s a widely accepted way to describe the vast array

of entertainment we enjoy right in our living rooms.

What did we call all this entertainment we had access to 30 years ago? Wasn’t it

just called cable? And before that, we had the “Big Three” networks. Now, fast

forward to the future, and it’s going to be dubbed “D-TALC.” No, I’m not talking

about a brand of baby powder; it stands for Damn That’s A Lot of Content! And

believe me, that’s exactly what we’re in for—an overwhelming tidal wave of

content. There will be so many viewing options that folks might just collapse on

the living room floor from sheer exhaustion after flipping through channel after

channel after channel. They'll probably be rocking the same outfits for weeks

because they couldn’t tear themselves away from binge-watching TV shows day

and night. The only conversations you’ll manage to have with them are snippets

of dialogue from their favorite films they've memorized. And let’s be honest, at

some point, you’ll want to point fingers and lay the blame for this madness on

someone, right? Who’s at fault? The entertainment industry—actors, actresses,

producers, writers you name it. You get the drift!

The reason I began my blog this way is to effortlessly dive into the skyrocketing

demand for talent in the world of streaming movies, shows, and whatever other

creative content you can think of. This introduction paves the way for a

conversation about the surging need for more actors, actresses, singers,

musicians, dancers, writers, producers, directors, technical staff... did I miss

anyone? If I did, my sincerest apologies! I was just getting a little dizzy thinking

about all those roles. But let's keep this momentum going! As an actor, director,

and writer who’s been fortunate enough to navigate a healthy mix of preparation,

auditions, callbacks, and securing a few roles in streaming movies, I’m on a

mission to help you. A mission to prepare you to showcase your talent to casting

directors, agencies, and independent creators. They need to see you. Keep

reading, and you’ll uncover what this blog is truly about.

Why film and commercial acting coaching is essential in today’s entertainment

industry. Acting has always been a craft that balances talent with training, instinct

with discipline. But in today’s media-driven culture, the demand for authentic,

versatile, and camera-ready actors is higher than ever. Particularly new unknown

talent that works with their budget. Let’s be honest we love seeing our movies

and TV stars in small films, commercials and online promotions. But not all

producers can afford their salary. Nothing against our wonderful stars, heaven

knows they have earned their level of pay, but it’s not convenient for every

production being created. That’s where you come in. From streaming platforms

and feature films to social media ads and national commercials, the opportunities

for performers have multiplied. Yet with those opportunities comes fierce

competition, the talent pool is huge. Why? Self-tape auditions. It's a great thing,

but now you’re competing against everyone that’s interested in working in the

industry. So, having specialized coaching in film and commercial acting gives you

the extra edge.

Believe it or not, stage experience alone is no longer enough. Audiences expect

naturalistic performances that feel real, while directors and producers need

actors who can adapt quickly to the unique technical and emotional demands of

the camera. Coaching bridges that gap, shaping raw potential into professional

readiness.

In this blog, we’ll explore why film and commercial acting coaching is not only

helpful but essential for anyone pursuing an on-camera career. We’ll look at the

differences between stage and screen performance, the technical aspects of

working on camera, the psychological preparation needed, and the professional

advantages that strong coaching provides. This is where I start to become a

teacher instead of a co-worker. So sit back and be educated. And the best part

is, if you forget anything I provide, go back to The Music in Me Studio website

and read it again.

For centuries, acting was defined by the stage. Theater demanded projection, big

gestures, and the ability to reach the back row. Training programs across the

world focused on voice, body, and text work, all designed to help actors hold the

attention of a live audience. It was and still is great training. I recommend it for

every want-to-be actor or actress.

But the invention of the camera shifted everything. Film acting required smaller,

more nuanced performances. A raised eyebrow, a whispered line, or a fleeting

glance could tell a story in ways stage acting couldn’t. Suddenly, subtlety became

just as powerful as volume. I remember this experience that was shared about

Jack Lennon, a wonderful actor that was trained on the stage. He was cast in a

1955 movie called “Mr. Roberts”. He was Ensign Pulver. In a key scene with lots

of dialogue Jack had memorized every line and had it all worked out in his head.

He started his moment, and the director stopped the scene and said, “Cut. Jack,

give me less.” Jack started again and the director said “Cut. Jack, give me less.”

Jack paused and shook his head and started gain and the director said “Cut.

Jack, give me less.” Frustrated, Jack said “If I keep giving you less, I won’t be

doing anything.” The director said “Exactly.” Jack Lennon had come from being

successful acting on stage and didn’t necessarily know that camera acting

required something different. That’s true today. Stage actors are receiving correct

and wonderful training for what is needed to entertain hundreds and hundreds of

audience members. Now, there is a need for a different style of acting. The style

we offer at The Music in Me Studio, LLC.

Commercial acting created another layer of complexity. Unlike films, where

characters may develop over hours of screen time, commercials ask actors to

establish credibility and connection in seconds. The skill of selling a

product—without looking like you’re selling—demands precision and authenticity.

Sometimes it may demand stage acting techniques, sometimes it may demand

film acting techniques, but most of the time it demands natural acting techniques

that ask for you to sell yourself as being one of us. Natural, normal, realistic in

your acting. We provide training for that too. Because of these shifts, coaching

for film and commercial acting isn’t just an option; it’s a necessity.

One of the first lessons in on-camera training is understanding that the camera

magnifies truth—and falsehood. What might feel subtle to an actor can come

across as exaggerated on screen. Conversely, what feels minimal in the moment

may be very powerful when framed in a close-up. A coach helps actors calibrate

their performances to the lens, teaching them how to trust small, truthful choices

instead of relying on theatrical techniques that might feel “too big” for screen

work. We also emphasize the importance of truthful reaction, teaching actors to

stay engaged even when they’re not speaking. I was working with a high school

student who had limited life experiences, and she was presenting a scene where

the other person off-camera was insulting her. (In the script, not in person) At first

very little to nothing was coming from the student. I asked her “Have you ever

been insulted before?” She immediately replied “Yeah. And it made me mad.”

Once we discussed how she responded I reminded her that this is that moment

again. Treat the moment real. Then I told her the most important part of her

acting moments. “Don’t just react to your lines, react their theirs too.” Don’t wait

for the other actor to stop talking and you start acting because they’re done and

now you respond. Once that camera starts, you’re in the moment until the

director says “cut”. After three takes, she nailed it. And when she watched her

performance back you could see the joy in her eyes. She believed what she saw.

The camera catches the truth.

These aren’t intuitive skills. They require repetition, correction, and confidence. A

coach can simulate these conditions in a safe learning environment. Once

lessons are completed actors walk onto professional sets ready, not

overwhelmed.

Ironically, the more artificial the setup (green screens, multiple cameras, dozens

of crew members watching), the more truthful the actor must be. Film and

commercial coaching trains performers to find emotional authenticity no matter

the circumstances. This might mean delivering a heartfelt line while surrounded

by technical chaos or genuinely enjoying a product that isn’t in the cup.

Now, with the rise of self-taping, the audition process has taken on a new twist.

You receive your casting call from your agent or manager, and the requirements

can be incredibly detailed. They know precisely what they want, and they’re

rooting for you to succeed. Just the other day, I faced a casting call for a

restaurant scene that required no dialogue—just pure pantomime. Picture this:

I’m at a big table with my “family,” laughing and passing around imaginary food.

Let’s be honest, though—unless you have a troupe of actors on standby, it’s just

you and your creativity. So, I set the table, arranged some props, and started

chatting with people who weren’t actually there. It was a delightful challenge, and

I ended up with a recording that felt natural and real. Who knew that pretending

to have a family dinner could be so much fun?

Finally, when you get to the callback stage of the audition, it’s generally time for

cold readings. Coaching sharpens cold reading ability, helping actors make

quick, bold, and authentic choices that stand out. The only thing we can do if you

have poor reading skills is work with you if you can get the script before the

callback. So, to avoid that pitfall, practice. Grab a book and read out loud.

Great on-camera actors don’t just perform—they live in front of the lens.

Coaching helps actors refine their physical presence, eliminate nervous habits,

and use stillness to their advantage.

In today’s industry, self-tapes are the norm. Coaches guide actors on everything

from framing and lighting to delivering performances that pop through a screen,

giving them an edge in the virtual audition room. As you approach the end of this

Blog, remember this. Learning is a lifelong commitment. Through The Music in

Me Studio guidance expect:

 - Confidence: Knowing what the camera sees reduces self-doubt.

 - Resilience: Regular practice with feedback builds adaptability.

 - Professionalism: Actors learn set etiquette, preparation habits, and the

discipline that casting directors expect.

Acting is a vulnerable art form. Having a coach means never navigating it alone.